2012, Sacha Gervasi, 98 mins.
Based on Stephen Rebello’s book about the making of Psycho, Sacha
Gervasi’s Hitchcock is most successful as a portrait of a marriage between two
creative individuals, one of whom is renowned as a genius while the other is,
mostly, content to stay in the background. Alma and Alfred Hitchcock were
devoted to each other and the film plays around dangerously with fact in suggesting
that there might have been rifts in the relationship, particularly as regards the
possibility of Alma nearly having an affair because s she feels neglected. But
Anthony Hopkins and Helen Mirren are delicious with Hopkins, as in Nixon,
capturing Hitch’s essence rather than doing a straight impersonation. The stuff
about making Psycho is fun, if not always particularly accurate, and the best scenes
involve Hitch’s sly ability to dance nimbly round the studio and the censor..
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