A mysterious figure stalks the Paris Opera House.
Although the film itself has a number of serious flaws, all can be
forgiven for the iconic performance of Lon Chaney in the title role; one of the
greatest pieces of silent film acting. Like all great tragic monsters – and Erik
the phantom is an assuredly tragic figure despite his dreadful behaviour –
Chaney’s creature conquers his grotesque ugliness, itself a triumph of make-up,
through immense nobility and pathos. He effortlessly
dominates the film, which isn't hard to do since the supporting actors are a
poor bunch and Norman Kerry’s young romantic lead Raoul is insipid. But the
visual spectacle remains awe-inspiring, especially the opera house set, and the
pace and drive of the narrative keep it remarkably watchable considering its
age. The set-pieces are wonderful, especially the 2-strip Technicolor masked
ball sequence and the legendary unmasking scene at the organ.
NB: There are numerous versions of this film around. My favourite of them all is the 78 minute version available from Park Circus on Blu-Ray which has been stunningly restored.
NB: There are numerous versions of this film around. My favourite of them all is the 78 minute version available from Park Circus on Blu-Ray which has been stunningly restored.
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